JEREMIAH'S CATCH
by Patrick Whitehurst
Publisher's note: We ran this in Fine
Travel, but it seemed so soaked in the sense of Ireland and the
sea that it deserved space here.
I love lobster. Actually I like almost anything that comes
from the sea. . . but particularly, I love lobster.
For me there is more than that wonderful feast. There are the
memories of Bantry Bay, County Cork, Ireland, and the dozen happy
years I lived there.
Whenever someone special came to dinner, and someone special
was anybody, lobster was the answer. Irish lobster is much like
our Maine Variety, but sweeter. Perhaps made so by the trip to
Jeremiah's jetty.
Jeremiah was a fisherman. A lobster fisherman among other
fishing things. He was a striking man, and at the same time was
curiously out of the ordinary. He was tall and very thin, but the
thinness didn't detract from the impression of strength. He was
burnished a glowing copper color that a life at sea seems to
paint on the people who make their living on the water. His eyes,
blue as autumn mist, were keen with a bird-of-prey intensity that
was disarming.
His hands were large and salt roughened. His clothes were sun
blanched and tattered and strained at every seam.
I never say him without the same old knit cap on. It was as
much a part of him as were the yellow foul weather gear and his
black rubber Wellingtons.
"Someone's coming to dinner!"
That announcement meant that a very special day was in store
for me.
I'd look out over Bantry Bay. I'd check the sky and the tide
clock. I'd calculate to the minute the time that Jeremiah would
return to his jetty with the day's catch. I would plan my
departure with military precision.
And I would be wrong. I would always be wrong. I knew this. It
was part of the adventure. So, just in case, I would stick a book
in my pocket.
The road from "Killeen North," my home high above
the bay, was little more than a borheen; two lanes of broken and
potted macadam with a center path of grass and heather sheared
and cultivated to three inches in height . . . the exact
clearance of my old Mini station wagon.
Compared to the tract that led down to Jeremiah's jetty that
old borheen was a masterpiece of modern highway engineering. The
tract was dangerously steep, the result of centuries of foot
traffic, weather, and neglect. It was a treacherous thing not fit
for even a donkey's sure foot, but it too was part of the
adventure, a challenge to my driving skills and to the endurance
and stamina of my tired old Mini.
Only when all hope of survival was abandoned would the track
level out and glide smoothly onto the jetty.
The old stone jetty was a tribute to the skill and
craftsmanship of some ancient mason. How incredibly old was this stone works that waded into the sea? How had the first stones been
laid below sea level?
I'd contemplate things like this as I waited for Jeremiah and
my lobsters.
The jetty was more than just a masterpiece of masonry. It was
a nautical museum. All kinds of things from the sea, or from the
efforts of men making a living from the sea, cluttered every inch
of space. I could never see a reason for saving most of the
things there. But, they must have been important, because they
were there.
There were stacks of nets. There were crab and lobster pots of
woven willow, clumsy and worn, tied together with bits of cord.
There were handmade dredges for the clams and oysters. There were
boat parts that someday would be useful again . . . perhaps.
There were floats of clear green and red blown glass, and other
more modern floats made from plastic bottles artfully sealed and
strung together.
Then there was the other stuff; wooden boxes with Spanish
words stenciled on their sides, and plastic fish crates from
every sea-bordered country in Europe. There were wine crates,
complete with empty wine bottles. Was it the crates or the
bottles that were important?
There were motor parts and broken tools, oar locks and rotting
life preservers. There were piles and twisted heaps of decaying
line.
"Why save all this junk?" I wondered, but never had
the courage to ask. These things were important to Jeremiah and
that was all that mattered, I suppose.
On a clear day I would make a nest for myself in the bales of
nets. I would snuggle down to make a bed that fit my body
perfectly, a barricade of cases behind me to break the wind. I'd
dig out my book and my glasses and settle down to wait for
Jeremiah. I'd turn the dog-eared page I had left and read
meaningless words. The words meaningless because there were so
many more important things to be aware of.
Watching the ocean, any ocean, is more hypnotic than watching
a hearth-fire. The ocean is more than just the ocean. It
encompasses the sky and all that is in it. The ocean gathers its
mood from the sky. One day it will be bright and sparkling with
long deep comforting swells; the next an ominous gray-green, the
wind whipping it into a crashing frenzy.
Fall was always a special time for me at the jetty. It was a
time of rainbows. I would watch a squall gather strength as it
blew in from the open sea and marched down the length of Bantry
Bay. I could watch and delay my retreat to my Mini until the
squall was near and then emerge as the sun reappeared, brighter
and more radiant than before.
I would turn my back to the warming sun to savor that most
glorious of nature's gifts . . . a rainbow! A rainbow that curved
a bridge of bright perfection across the foot of the bay.
If I was lucky I would see a double bow -- the lower one more
gently hued, less aggressive in color than the upper one that
seemed to be protecting its timid sister below.
I never had time to read my book. Unexpected, I would hear a
soft bump and scrape and Jeremiah's boat slipped up on the jetty.
I always missed his approach. One moment the bay would be empty
and in the next, there he would be.
"And here y'are his--self," he would say. "Just
wastin' away to buy m'whole day's catch."
It was part of the game we would play each time I met his
boat..
"I've thirty brilliant fish here." To Jeremiah
lobsters were fish. "Take 'em all and I'll make it like a
gift t'ye. An' to me, so."
"I only need six, Jeremiah," I would say
apologetically.
He would grunt and mutter Irish profanities under his breath,
then from somewhere under the jumble of pots and lines and
tattered tarps he would uncover the most beautiful antique brass,
hand-held scales and weights I have ever seen.
"And I suppose each will be a pound and a quarter as
always. With huge claws, of course, of course."
From his catch we would sort out and weigh six perfect
lobsters. Each one fighting mad. I insisted on this.
"And why not this big beautiful monster here?" He
would always ask this of some huge torpid lobster. It too was
part of the script we had developed, and I would explain, for the
hundredth time, that the perfect weight for the perfect lobster
was one and one quarter pounds.
"I'd not be knowin' that," for the hundredth time.
"I've niver eaten one of the ugly crathers, and niver to me
dyin' day will I. So it is."
I'd sit with Jeremiah then and we'd whittle tiny willow pegs
to pin the lobster's claws. We' chat as we worked. "A bit of
the crack," as this kind of light chatter is called in West
Cork.
I would pay him then and wonder why he seemed embarrassed to
take my money when it was he who had worked so hard, and perhaps
had risked his life to the sea to provide me and my guests with
six perfect lobsters.
On the way home I would rehearse my entrance lines. I would
talk a lot trying to cover for a four hour trip that should have
taken less than an hour. Yes, I love the lobster, and the dinner
guests, and the road to Jeremiah's jetty. I love Bantry Bay and
the clear, clean skis, and the rainbows; the sharp tangy smell of
tarred line and the sweet-sour scent of the sea.
Yes. I love all these things, but especially, I treasure the
memories.
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